For Art’s Sake

Sarah and I went on our second actual date since becoming parents today – this time to see Tender Napalm at the Signature Theatre (the plus side of season tickets is the built-in date).

For the first time in my life, I actually walked out of a play while it was going on (about 1/3 of the way through). I’ve seen bad shows before – plotless, meandering craptastic shows, but this really reached a new low of “is my time worth this?”

The show is basically a man and woman trading obscene fantastic hate-filled stories at each other, while trying to maintain affected (lower class) British accents. I knew it was going to be bad when the opening phrase was “I could put a bullet between your lips”, but when it descended into abject (unfunny) farce was when the man said he’s shove a grenade up the woman’s c***. Lovely. And old news.

Seriously, go to 1:02 in Da Ali G show here. Yes, Sascha Baron Cohen wrote about “the terrorist who stuck a grenade up the queen’s poo***, and he’s got 48 hours to get it out.” Now, THAT was funny, and original, back when he did it. Now? Not funny, not original, not shocking.

Worse, the whole sex-as-violence metaphor is sooooooo tired. Haven’t we seen enough of this from actually good writers, say, JG Ballard, or James Tiptree Jr? This was old hat in the 90s. Heck, even Jane’s Addiction, in “Ted Just Admit It”, said

Camera got them images
Camera got them all
Nothing’s shocking
Showed me everybody
Naked and disfigured
Nothing’s shocking
And then he came
Now sister’s
Not a virgin anymore
Her sex is violent

That was 1988, for the record.

So I have no idea why other reviewers seem to think this play has actual emotional depth, but honestly, I’ve seen more depth in puddles.

All this play has is shock value, and even that has worn out – it’s more a testament to boredom and ennui than it is to love stories.

not recommended.

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About thegameiam
I'm a network engineer, musician, and Orthodox Jew who opines on things which cross my path.

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